The relevant specifications of this model and others of similar design are identical. This interface is also sold by various other companies, re-badged for marketing purposes. You can connect the interface to either the modem or printer serial ports of your Macintosh, and you can connect two units if you want to use 32 MIDI channels. This type of interface only provides the standard 16 channels of MIDI, and you can't connect all the outputs of your MIDI devices to the computer using just this interface - so it's not really suitable if you are using a synthesizer patch editor/librarian, for instance. There's just one MIDI In socket, to which you connect your master keyboard, and three MIDI Out sockets to hook up three MIDI modules - or more if you take some MIDI Thrus from these to other devices. But it's perfectly adequate for anyone using just one keyboard with a couple of additional sound modules. This is one of the simplest designs of self-powered interface available, and it only really provides for the most basic of needs. This is the smallest, simplest MIDI interface available, and, like the Apple interface, only allows you to connect allows you to connect a single keyboard or sound module to your Macintosh. Those on a budget will probably want to take a look at the Apple, Anatek, Altech and MIDIMan interfaces, which represent good value for money, but check out the budget MOTU units as well, as you may find extra features such MIDI Thru switches well worth the extra cash. The Opcode Studio interfaces are actually good choices for live work as well, as they can be used to reconfigure your entire MIDI rig at the push of a button, to suit each new song. Opcode currently offer the widest range of interfaces for the Macintosh, many of them offering useful MIDI-processing capabilities. "MIDI interfaces for the Macintosh have come a long way since the first simple one In/three Out designs." Opcode followed suit with their Studio interfaces, all supporting this Mark of the Unicorn multi-port standard - they can even be networked with the MOTU interfaces. These units could be linked together to support more connections for larger rigs, making this the obvious choice for professional users. The next major development came from Mark of the Unicorn with their MIDI Time Piece I, which had eight Ins and eight Outs, each of which could carry 16 MIDI channels separately, making 128 in all. Around the same time, SMPTE sync capabilities were developed, and units such as the Opcode Studio 3 became very popular. The first enhancement was to provide for 32 channels of MIDI, by allowing the interface to be connected to both modem and printer ports, with 16 channels through each. MIDI interfaces for the Macintosh have come a long way since the first simple one In/three Out designs, which have been available since 1984. But should you spend a few pounds, or a few hundred? MIKE COLLINS has the information you need. Quote When it's time for your Mac to start talking MIDI to the rest of your rig, the technology, like the truth, is out there.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |